Hi, I’m stupid.

Sep. 4th, 2025 07:12 pm
[syndicated profile] thebloggess_feed

Posted by thebloggess

Next week I’m going to New England to talk about my upcoming new book at a conference just for indie booksellers (yay!) and I was talking to Elizabeth (the lovely person who runs Nowhere Bookshop) about it and she asked “Where in New England, because it’s pretty big?” and I thought she was crazy becauseContinue reading "Hi, I’m stupid."

The Friday Five for 5 September 2025

Sep. 4th, 2025 03:38 pm
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[personal profile] anais_pf posting in [community profile] thefridayfive
These questions were originally suggested by [livejournal.com profile] rawee1.

1. When did you "lose your innocence"?

2. Would you say you have an accent?

3. Do you hope to be married (married again if divorced)?

4. If you could take one technology to a desert island (the obvious satellite phone excluded), what would it be?

5. What is the last activity you bought a ticket for?

Copy and paste to your own journal, then reply to this post with a link to your answers. If your journal is private or friends-only, you can post your full answers in the comments below.

If you'd like to suggest questions for a future Friday Five, then do so on DreamWidth or LiveJournal. Old sets that were used have been deleted, so we encourage you to suggest some more!

**Remember that we rely on you, our members, to help keep the community going. Also, please remember to play nice. We are all here to answer the questions and have fun each week. We repost the questions exactly as the original posters submitted them and request that all questions be checked for spelling and grammatical errors before they're submitted. Comments re: the spelling and grammatical nature of the questions are not necessary. Honestly, any hostile, rude, petty, or unnecessary comments need not be posted, either.**

The Big Idea: Gary Jackson

Sep. 4th, 2025 04:39 pm
[syndicated profile] scalziwhatever_feed

Posted by Athena Scalzi

Move over, Shakespeare in the Park, today we’ve got poet Gary Jackson and the Big Idea for his newest collection of poetry. Follow along to see how small lives speaks to the reader in an unprecedented way.

GARY JACKSON:

It’s no secret that I love persona poems. When I teach my intro to poetry students about voice and speaker, I routinely ask: Who is talking to whom about what? I pose the question hoping to prompt them to consider how a poet employs pronouns, point of view, and psychic distance to not only render a speaker, but also address an audience—both inside and outside the world of the poem—often creating simultaneous meanings that can even contradict.

All of my books engage with persona in different ways, including the poems in small lives, which began as a handful of disparate persona poems in the voices of superhumans. Some of the first pieces I wrote for this collection, like “fly” and “The Telepath quits her day job,” feature two different speakers navigating the extraordinary in our contemporary moment. Both poems use the first-person point of view because I like to bring the reader closer into the world I’m creating. Third person tends to put more psychic distance between speaker and reader than I want, and the voice can teeter toward the omniscient, which I’m not usually after. But as I wrote more of these superhuman voices, I realized two things: 1) I was juggling a lot of speakers, and 2) a few main characters were emerging to form the core of the story I was telling: The Invincible Woman, The Willpower Man, and The Telepath.

Having multiple speakers populate a collection wasn’t new to me—my previous books also employed multiple personas. The easiest way to handle persona in the speculative world of small lives was simply to name the poem after the speaker, which gives you titles like “The Heartless Boy,” “The Never-Ending Man,” and “The Precog” (though that last one is interesting because it’s not the Precog speaking to us, but her granddaughter). The title, while relatively simple, does a great deal of work introducing the speaker before the reader even enters the poem.

It was clear early on that The Willpower Man, The Telepath, and The Invincible Woman would be the three recurring speakers throughout the collection. And though many of their poems include their names in the titles, several do not. And several challenges emerged: when they interact with one another, what’s the best way to handle those crossovers? Without always relying on the first-person point of view, how can I make it clear who is speaking to whom? That’s when I realized I had been leaving out one pronoun almost entirely when it came to identifying the subject position of the speaker: you.

Like most poets, I frequently use the second person to signify an absence, a placeholder for some recipient, or a presence implied by the you—a finger pointing outward to implicate the reader or directly address them. But what about conflating speaker and reader, bringing them directly into the difficult and impossible choices these characters face? What if I collapsed that psychic and narrative distance even further?

Looking back through my drafts, one of the first poems featuring you was an early piece for The Invincible Woman, simply titled “The Invincible Woman,” which served as her introduction. It would eventually become “The Invincible Woman has a one-night stand,” but in that first draft there was a line (that’s no longer in the published version): “And the world, like all things that grow up, forgot you.” Maybe that’s why I chose the second person for her voice—I wanted a persona that implicated the reader, myself, and anyone who encountered the poem. That fear of being forgotten became a touchpoint not just for the superhumans in the collection, but for something universally human: how value can be cruelly assigned to a life based on who remembers you, or how important you’re deemed to be in the eyes of a cultural or social group, a country, a world.

Eventually, I found a cleaner way to manage multiple speakers: assign each a primary pronoun. The Willpower Man was easy—his poems had always been in the first-person I. Since The Invincible Woman began in the second-person you, I kept her there. The Telepath was trickier; early drafts and even some published versions alternated between first and second person. It wasn’t until I knew these characters would inhabit the same book that I realized she needed a distinct pronoun to avoid confusion. I settled on the third-person she, which worked well since the book was already rich with first- and second-person voices that pulled the reader directly into the world of small lives. Any psychic distance created by third person was offset by the other perspectives—and, because she is a telepath who can inhabit other minds, that slightly more omniscient lens felt fitting.

I also included a brief “cast of characters” meta-poem to further clarify and avoid confusion, which gave me an opportunity to acknowledge the fluidity of all three pronouns, as well as the collective we and us of the first-person plural that appears throughout the collection. At times, these voices conflate reader, character, speaker, and self, sometimes intentionally contradicting each other in the ways only poetry can.


small lives: Amazon|Barnes & Noble|Bookshop|Kobo|UNM Press

Author socials: Website

goddess47: Emu! (Default)
[personal profile] goddess47 posting in [community profile] no_true_pair
Title: Strangers Instead of Friends
Fandom: Stargate Atlantis, Stargate SG-1
Pairing/Characters: Ronon Dex, Jack O'Neill
Word Count: 333
Content Notes: none
Prompt: [community profile] no_true_pair September 5 - Ronon Dex & Jack O'Neill - in the air tonight

Also for [community profile] sweetandshort September 2025 prompt - strength


Link to fic: Strangers Instead of Friends (on AO3)

Check-In Post - Sept 4th 2025

Sep. 4th, 2025 07:30 pm
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[personal profile] badly_knitted posting in [community profile] get_knitted

Hello to all members, passers-by, curious onlookers, and shy lurkers, and welcome to our regular daily check-in post. Just leave a comment below to let us know how your current projects are progressing, or even if they're not.

Checking in is NOT compulsory, check in as often or as seldom as you want, this community isn't about pressure it's about encouragement, motivation, and support. Crafting is meant to be fun, and what's more fun than sharing achievements and seeing the wonderful things everyone else is creating?

There may also occasionally be questions, but again you don't have to answer them, they're just a way of getting to know each other a bit better.


This Week's Question: Share your favourite crafting tip, if you have one.


If anyone has any questions of their own about the community, or suggestions for tags, questions to be asked on the check-in posts, or if anyone is interested in playing check-in host for a week here on the community, which would entail putting up the daily check-in posts and responding to comments, go to the Questions & Suggestions post and leave a comment.

I now declare this Check-In OPEN!



(no subject)

Sep. 4th, 2025 02:22 pm
aurumcalendula: gold, blue, orange, and purple shapes on a black background (Default)
[personal profile] aurumcalendula
I might have a more cooperative vid idea to poke at while I let my Star Trek ones percolate!

I definitely need to do a full Discovery rewatch soon! Strange New Worlds still doesn't sound like my thing, but I'll have to check out episode 3x09 the next time I have Paramount+, since it looks like it was a good Ortegas episode.

Fandom Empire presents: Bingo

Sep. 4th, 2025 07:30 pm
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[personal profile] prisca posting in [site community profile] dw_community_promo
Fandom Empire's last challenge of this year is:



August 27 - September 10: Sign-up
September 7 - December 7: Challenge open
December 8 - December 14: Final scores

At the end of the challenge, there will be banner/badges for everyone and 50 DW points for three randomly chosen regular (2 missed weeks maximum) participants.

Check out the information post here.

I would be glad to have you around. If you are interested, don't hesitate to sign up here.

i made a(n embarrassing) thing

Sep. 4th, 2025 01:20 pm
lirazel: the Carly Rae Jepsen album E*mo*tion ([music] take me to the feeling)
[personal profile] lirazel
So because I can listen to podcasts while I'm working, I listen to...a lot of podcasts. And a lot of them have connections with each other via hosts guesting on other people's podcasts. I have at times mentioned the Sarah Marshall-Michael Hobbes podcast universe...and I decided to map it out.

Honestly, this web could be much bigger--I've limited it to things I have listened to a least a few episodes of. I only listen to 5-4 (about the US Supreme Court) now and then because it's depressing but it's SUCH a good resource when a big ruling gets handed down. I only listen to Sentimental Garbage, Ordinary Unhappiness, and 16th Minute now and then, but I've listened to all of them enough to be fond of the hosts.

As for the rest of the podcasts mentioned here...I listen to them regularly. Most of them I listen to every single episode.

This doesn't encompass all the shows I listen to, just the ones that can be connected in this way. But the connections made me happy, so I thought I would share.




Podcasts I listen to regularly that couldn't be worked in: Dear John and Hank, Straight White American Jesus, On the Nose (the Jewish Currents podcast), Rock That Doesn't Roll, the Ezra Klein Show, You Must Remember This, and This American Ex-Wife.
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

Travel today to Portland for Rose City Comic Con, and I’m doing an experiment to see how compactly I can travel with all my tech and four days of clothes (three days of the convention, one day of travel back; obviously for the travel today I am already wearing my clothes). Before you is the current attempt: A mini travel backpack designed to fit a Mac Air plus various tech accoutrement, and a small travel bag with four days of clothes (plus an extra day of underwear and socks, because sometimes the travel gods are not kind) and a toiletry kit. The Coke can is there for scale.

It’s all very tight! We’ll see if it’s too tight. If it is I can adjust for future travel. The good news for me is that as a science fiction author attending a convention, the attire required of me is jeans and snarky t-shirts, and all of those are easy to stuff into a bag. If I were a cosplayer or a dandy, things would be more difficult. Fortunately I’m not.

In theory, if I had to, I could probably fit both of these bags into the area beneath my seat for my flight. Let’s hope it doesn’t some to that — I would prefer a little bit of legroom — but it’s nice to know if the overhead scrum didn’t go my way I would have options.

Off I go. See you in Portland.

— JS

For Sale: Echo Show (2nd Generation)

Sep. 4th, 2025 12:10 pm
settiai: (Road Not Taken -- settiai)
[personal profile] settiai
I know it's a long shot considering Amazon is Amazon, but would anyone be interested in buying an Echo Show (2nd Gen) 10" in black charcoal? Or know anyone who might want one?

I'd be willing to accept any reasonable offer, as I really need to come up with some extra money as soon as possible. It's used but in good shape. There's no listings on Amazon since it's an older model, but there are some available on eBay for comparison. I could have it in the mail either this weekend or early next week at the latest.

For payment, I have CashApp ($Settiai), PayPal, Venmo, or Zelle (nancy.lynn.foster@gmail.com).

If you know anyone who might be interested, please point them my way.
senmut: A simple Geometric Decepticon logo in purple, red and white on gray. (Transformers: Con Logo)
[personal profile] senmut posting in [community profile] no_true_pair
Title: Haunted
Fandom: Transformers [Bay Movies]
Pairing/Characters: Mikaela Banes & Megatron
Content Notes: None
Prompt: September Four - 4 & 8 - in the air tonight

Walk a Different Road is the series this one plays off. Specifically the ending.

While Sunstorm — Sparky in her heart always — )

hooch

Sep. 4th, 2025 08:00 am
prettygoodword: text: words are sexy (Default)
[personal profile] prettygoodword
hooch or hootch - n., alcoholic liquor, especially inferior or bootleg liquor.


Dates to the late 1890s, shortening of hoochinoo, a distilled liquor made by Native Americans, originally specifically a rum-like liquor made in Hoochinoo / Hutsnuwu, a Tlingit village on Admiralty Island, Alaska, from Tlingit Xucnu·wú (also spelled Xutsnuuwú), literally Grizzly Bear Fort, from xú·c grizzly bear + nu·w, fortified place, and yes I want to hear all the stories about how it got that name. The Tlingit peoples, with hundreds of recognized tribes, inhabited the entire Alaska Panhandle and parts of British Columbia just inland of that, and speak a language related to Athabaskan languages.

[Sidebar: The other word spelled hooch, meaning a rough hut, started as Army slang in the Korean and Vietnam Wars, is an alteration of Japanese uchi, house.]

---L.
runpunkrun: combat boot, pizza, camo pants = punk  (punk rock girl)
[personal profile] runpunkrun
Photograph of steel spoons and spices in a dramatic setting with added text that gives it the look of a gourmet magazine cover: September 2025. Food & Cooking, at Fancake. Steel teaspoons are arranged in an elogated oval to suggest a fish, with the bowls acting as scales and some of the handles left visible to create the fins and tail, giving the creature a spiky appearance. The concave bowls are dusted with a powdery orange spice for color and one spoon at the front of the fish is filled with a coarse black spice to create an eye. The fish is on a black surface with a rough texture and around it are three skinny green peppers, a mound of salt, a mound of orange spice, and a dipping bowl filled with a clear amber liquid.
It's farm to table—and every stop in between—at [community profile] fancake this month! Bring on over your recs for fanworks featuring hunting, farming, ranching, fishing, foraging, grocery shopping, farmer's markets, kitchens, restaurants, cafes, coffee shops, food carts, bars, wineries, breweries, waiters, bartenders, baristas, and, of course, cooking and eating.

If you have any questions about this theme, or the comm, come talk to me!

Bohemian Rhapsody (Zulu version)

Sep. 4th, 2025 03:09 pm
trobadora: (Default)
[personal profile] trobadora
Via [personal profile] brithistorian: the South African Ndlovu Youth Choir has translated Queen's Bohemian Rhapsody into Zulu. It's gorgeous - and after I saw the video, I just had to share it. It's completely stunning:

james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


The malevolent Hierarchs are dead. The only way to learn about them is archaeology. The only thing worse than archaeologists not finding the relics of evil sorcerers is finding relics of evil sorcerers.

Queen Demon (The Rising World, volume by Martha Wells
pauraque: butterfly trailing a rainbow through the sky from the Reading Rainbow TV show opening (butterfly in the sky)
[personal profile] pauraque
In turn-of-the-millennium Nigeria, an Indian immigrant named Kavita is married to a Nigerian man. They have one son, young adult Vivek. On the same day that rioters burn the local marketplace to the ground, Kavita finds Vivek on her doorstep, naked and wrapped in cloth, dead of a head wound. From there, the progression of the novel is nonlinear, moving among Kavita's desperate search for answers, Vivek's life as a kid who was always different, and the perspectives of Vivek's friends and family in this complex multicultural community.

Like Emezi's earlier novel Freshwater, this one clearly draws inspiration from their own life and childhood, and it benefits from the same keen eye for the reality of what culture and tradition look like on the ground. But it's not as directly autobiographical, reading less like a memoir and more like an actual novel. The prose style and handling of the themes really worked for me. Vivek is queer in a country where homosexuality is illegal, but Emezi hasn't written a story where queer people are tragic victims, nor have they written a one-note condemnation of Nigerian culture. They include a variety of queer characters who are flawed and human, some of whom are pretty well-adjusted given the circumstances, and some of whom make terrible mistakes. Despite the difficult subject matter, the book orients itself towards a world where some of these kids will grow up okay, some of the ignorant will learn, and the future of queer Nigeria hasn't been written yet.

spoilery thoughtsIt was clear to me fairly early on that Vivek was some flavor of transfeminine (anachronistic labels aren't used, but bigender seems about right, and 'he' and 'she' are both accepted). Circumstantial evidence leads you and many of the characters to suspect he was killed in a hate crime. Towards the end, this scenario seems almost certain when you learn that he went out presenting as a woman on the night of his death, even though his friends tried to stop him because they thought it was too dangerous.

But "almost certain" is the operative phrase. As it turns out, Vivek wasn't murdered. He died in an accident that could have happened to anyone at any time, and it had nothing to do with his presentation or his queerness at all.

This subverted expectation turns the entire book on its head and makes it land in a completely different place than I thought it was going to. The message of the book is not that being queer will get you killed in this terrible, terrible world; it's that nobody knows what the future will bring, so you shouldn't let fears of what might happen hold you back. You should be yourself—and allow yourself joy—while you still have time.

This ending really stunned me and it took me a bit to process it. I think it's the right ending, but I didn't see it coming at all, and it made me feel the book had turned a sobering and much-needed mirror on me and my own assumptions about queer stories and about the world.

I don't know what I think about Osita (Vivek's cousin/boyfriend) keeping the full truth to himself. Letting Vivek's parents believe he was murdered opens the door for them to feel empathy rather than disgust, but can that be a justification to tell such a massive lie by omission? I don't know, it's messy, but so was Osita and Vivek's relationship from start to finish.

The book is not long (250 pages) and I think it could have benefited from being a little longer and spending some more time with each character and their arc. Some threads seemed to wrap up too quickly at the end. But overall I found it a thought-provoking read and I'm up for more of Emezi's work. Next I'll probably go for their YA novel Pet.

'Xena: Warrior Princess' turns 30

Sep. 4th, 2025 09:02 am
spikedluv: (summer: sunflowers by candi)
[personal profile] spikedluv
I heard part of this interview this morning and thought I'd share it with you. (Morning Edition; A Martínez)

On Sept. 4, 1995, "Xena: Warrior Princess" premiered on syndicated TV. Lucy Lawless, the show's star, and Rob Tapert, her husband and "Xena" co-creator, talk about its popularity and legacy.




Just in case the embed doesn't work: 'Xena: Warrior Princess' turns 30

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