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kindkitTitle: After the War, Before the War
Fandom: X-Men: First Class
Characters: Erik
Rating: Teen
Warnings: Holocaust references
Word count: 300
Summary: Erik is a displaced person.
Notes: There's some historical fudging here; see the endnote for an explanation.
From one camp to another, that's liberation. In this camp Erik still has a number, but he's not tortured. There are no crematoria. He's called a displaced person, not a filthy Jew.
At first, memories half drown him. His mother. His father, who Erik learns was gassed the first day. Then they subside, and even his dreams are rare.
He doesn't make friends. When he came here he was hungry, but not skeletal. He has all his teeth and he's taller than other boys his age. So rumours went round. They think he was a sonderkommando or a kapo in a special section. Some kind of collaborator, anyway.
Perhaps they're right.
They talk about Israel, his fellow Jews. Their state, their home, where they will be safe. Where they will be one people again, united.
Erik has decided that he will not go. He's not one of them, not entirely. He's a new creature, and the new are persecuted as monsters or worshipped as gods. Schmidt's words, but yet not wrong. There's no home for Erik. Anyway, he has work to do, once he's strong enough to do it.
On ration tins of condensed milk, Erik sees the words Product Of Ireland. A small island, far from Germany and Poland, and far from Palestine too. He likes islands. He likes the thought of a place with so much milk that people give it away.
Perhaps he'll go there. Not to eat and breed and grow old peaceably like a beast spared from the slaughterhouse; just until he's a man. A boy could kill Schmidt, but it'll take a man to find him. Someone who can travel, negotiate, manipulate, threaten, and bribe.
When he's a grown monster, a young god, he can avenge his mother. Who was human, and is dead.
****
Endnote: Erik is in a DP camp like the ones established in Austria and western Germany, but Auschwitz was actually liberated by the Soviets. I'm presuming, since Erik didn't end up stuck in Eastern Europe, that Erik wasn't still in Auschwitz when the Soviets arrived. It makes sense that Schmidt would've somehow had himself and Erik transferred west as the Soviets advanced.
Also, although Israel was not established as a state until 1948, I'm assuming that post-war Zionists were already using the language of statehood to encourage Jewish immigration.
Fandom: X-Men: First Class
Characters: Erik
Rating: Teen
Warnings: Holocaust references
Word count: 300
Summary: Erik is a displaced person.
Notes: There's some historical fudging here; see the endnote for an explanation.
From one camp to another, that's liberation. In this camp Erik still has a number, but he's not tortured. There are no crematoria. He's called a displaced person, not a filthy Jew.
At first, memories half drown him. His mother. His father, who Erik learns was gassed the first day. Then they subside, and even his dreams are rare.
He doesn't make friends. When he came here he was hungry, but not skeletal. He has all his teeth and he's taller than other boys his age. So rumours went round. They think he was a sonderkommando or a kapo in a special section. Some kind of collaborator, anyway.
Perhaps they're right.
They talk about Israel, his fellow Jews. Their state, their home, where they will be safe. Where they will be one people again, united.
Erik has decided that he will not go. He's not one of them, not entirely. He's a new creature, and the new are persecuted as monsters or worshipped as gods. Schmidt's words, but yet not wrong. There's no home for Erik. Anyway, he has work to do, once he's strong enough to do it.
On ration tins of condensed milk, Erik sees the words Product Of Ireland. A small island, far from Germany and Poland, and far from Palestine too. He likes islands. He likes the thought of a place with so much milk that people give it away.
Perhaps he'll go there. Not to eat and breed and grow old peaceably like a beast spared from the slaughterhouse; just until he's a man. A boy could kill Schmidt, but it'll take a man to find him. Someone who can travel, negotiate, manipulate, threaten, and bribe.
When he's a grown monster, a young god, he can avenge his mother. Who was human, and is dead.
Endnote: Erik is in a DP camp like the ones established in Austria and western Germany, but Auschwitz was actually liberated by the Soviets. I'm presuming, since Erik didn't end up stuck in Eastern Europe, that Erik wasn't still in Auschwitz when the Soviets arrived. It makes sense that Schmidt would've somehow had himself and Erik transferred west as the Soviets advanced.
Also, although Israel was not established as a state until 1948, I'm assuming that post-war Zionists were already using the language of statehood to encourage Jewish immigration.
no subject
Date: 2011-07-23 01:02 am (UTC)I think some of the movieverse's ruffles are unsmoothable (I consider XMFC and X1-3 to be separate canons, because they conflict on basic things like when Charles was paralyzed and how old Charles and Erik were when they met) but I do enjoy making things make sense when I can.
no subject
Date: 2011-07-23 01:07 am (UTC)no subject
Date: 2011-07-23 01:22 am (UTC)I do too--it makes more sense for them to have been friends for a long time before the split. In my head they were a couple for about thirty years and ran the school together while Scott and Jean were there.
this one re-writes Erik's camp experience
I'm not sure what you mean, since X1-3 didn't say anything about what happened to Erik in Auschwitz after that moment at the gate. I quite like ("like" really feels inappropriate but you know what I mean) how that was handled in the Magneto: Testament comic, and with a few changes--notably the removal of Magda, since to me movieverse Erik is gay--it's my head canon for X1-3 Erik. But I don't dislike the XMFC version, except in the sense that it overpersonalizes the issue a bit, and I do have problems with the whole "Erik becomes just like Shaw" thing.
no subject
Date: 2011-07-23 01:54 am (UTC)I also prefer a shades-of-grey Erik, though. Not only is he a more interesting character that way, he can also serve as a didactic tool for talking about a lot of issues that probably need a good fictional hearing-out.