merry happy
Dec. 25th, 2019 06:44 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I hope those of you who celebrate Christmas are having/have had a good one.
I spent much of today muzzy and tired, after having been fool enough to take Benadryl last night (when I was feeling the kind of frazzled-tired that means I can find it hard to sleep). In my intervals of consciousness I ate chocolate (I'm giving myself a break from carb restrictions for a couple of days) and, in the tradition of Christmas ghost stories, listened to several episodes of The Magnus Archives. I've now listened through episode 55, "Pest Control," nearly halfway through season 2. I love the show enormously, but I also increasingly feel like the lore is getting so interconnected and complex that it's hard to follow. (I know there's a wiki, but I am really really spoiler-averse so I mostly avoid it.) Relatedly, I would like to ask Sims-the-writer what the hell he was thinking when he named two very different characters "Gerard."
I'm worried about Jonathan, who is quietly losing his mind. He has good reason to be paranoid, but still. And of course he is least cautious about Sasha, who as far as I know is theperson entity he ought to fear the most.
I'm hoping Martin isn't secretly evil, because Jonathan needs someone to help him. And to give him hugs and possibly also kisses. (I'm not really shipping them that hard, it's just that Martin is the only person who seems to care about Jonathan. And Jonathan occasionally shows small signs of caring about him! They're the only two people in the Institute I like, so I reflexively want them to get together. And then to resign from the Institute and go and live somewhere very very dull.)
Tim is an asshole, but I confess to being amused by his complicated love life/network of informants.
Some days and several episodes after first listening, I am still freaked out by "The New Door" and Michael. That fucking laugh, my god. And the fact that he somehow lured/forced the estate agent back into the corridor maze after she escaped. It's not fair! Once you've escaped, you ought to be safe! Something about the escape that isn't really an escape is especially chilling, to me. Anyway, I think whatever sort of alliance Michael may be offering the Institute is a devil's bargain.
Returning to Christmas-y stuff: I treated myself to a copy of John Le Carré's Agent Running in the Field, bought in hardcover because it was only a couple of dollars more than the e-book. I haven't started reading it yet but I'm looking forward to it. I rewatched part of White Christmas last night and may get around to the rest of it tonight; it's frothy and fun and I do my best to ignore all the ways it's problematic because Danny Kaye brings Big Queer Energy. Here he is camping it up like mad with Bing Crosby (plot context: the sisters who normally perform this act needed to leave town hastily, and Kaye's and Crosby's characters are trying to buy them some time).
I love Danny Kaye so much.
My plans for the rest of the evening include eating Christmas lasagne (store-bought, because I did not want to cook) and more chocolate. Perhaps I'll look at Yuletide at some point, though every year it seems I know fewer and fewer of the fandoms.
I spent much of today muzzy and tired, after having been fool enough to take Benadryl last night (when I was feeling the kind of frazzled-tired that means I can find it hard to sleep). In my intervals of consciousness I ate chocolate (I'm giving myself a break from carb restrictions for a couple of days) and, in the tradition of Christmas ghost stories, listened to several episodes of The Magnus Archives. I've now listened through episode 55, "Pest Control," nearly halfway through season 2. I love the show enormously, but I also increasingly feel like the lore is getting so interconnected and complex that it's hard to follow. (I know there's a wiki, but I am really really spoiler-averse so I mostly avoid it.) Relatedly, I would like to ask Sims-the-writer what the hell he was thinking when he named two very different characters "Gerard."
I'm worried about Jonathan, who is quietly losing his mind. He has good reason to be paranoid, but still. And of course he is least cautious about Sasha, who as far as I know is the
I'm hoping Martin isn't secretly evil, because Jonathan needs someone to help him. And to give him hugs and possibly also kisses. (I'm not really shipping them that hard, it's just that Martin is the only person who seems to care about Jonathan. And Jonathan occasionally shows small signs of caring about him! They're the only two people in the Institute I like, so I reflexively want them to get together. And then to resign from the Institute and go and live somewhere very very dull.)
Tim is an asshole, but I confess to being amused by his complicated love life/network of informants.
Some days and several episodes after first listening, I am still freaked out by "The New Door" and Michael. That fucking laugh, my god. And the fact that he somehow lured/forced the estate agent back into the corridor maze after she escaped. It's not fair! Once you've escaped, you ought to be safe! Something about the escape that isn't really an escape is especially chilling, to me. Anyway, I think whatever sort of alliance Michael may be offering the Institute is a devil's bargain.
Returning to Christmas-y stuff: I treated myself to a copy of John Le Carré's Agent Running in the Field, bought in hardcover because it was only a couple of dollars more than the e-book. I haven't started reading it yet but I'm looking forward to it. I rewatched part of White Christmas last night and may get around to the rest of it tonight; it's frothy and fun and I do my best to ignore all the ways it's problematic because Danny Kaye brings Big Queer Energy. Here he is camping it up like mad with Bing Crosby (plot context: the sisters who normally perform this act needed to leave town hastily, and Kaye's and Crosby's characters are trying to buy them some time).
I love Danny Kaye so much.
My plans for the rest of the evening include eating Christmas lasagne (store-bought, because I did not want to cook) and more chocolate. Perhaps I'll look at Yuletide at some point, though every year it seems I know fewer and fewer of the fandoms.
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Date: 2019-12-26 02:43 am (UTC)This is the only piece of White Christmas I ever remember and I don't feel bad about that at all.
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Date: 2019-12-26 03:40 am (UTC)(no subject)
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Date: 2019-12-26 07:43 am (UTC)Michael is a fucking nightmare, I swear to god. I'm torn between wanting to scream and wanting to punch him in the laughing face.
Tim is so that jerk guy every office has, you know? You want to hate him, but he wouldn't care if you did, and that kind of earns some respect, if you know what I mean.
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Date: 2019-12-26 09:04 am (UTC)I'm worried about Jonathan, who is quietly losing his mind.
I knooooooow.
And the fact that he somehow lured/forced the estate agent back into the corridor maze after she escaped. It's not fair! Once you've escaped, you ought to be safe! Something about the escape that isn't really an escape is especially chilling, to me.
Yeah, I had such a huge WAIT WHAT NO reaction when that happened. The horrors in Magnus do not play fair.
Relatedly, I would like to ask Sims-the-writer what the hell he was thinking when he named two very different characters "Gerard."
One of them's actually named Jared; Sims just pronounces it almost identically (that one confused me for ages).
Given that and the multiple Michaels (and half the rest of the characters being named after his friends/himself), I've concluded that Sims-the-writer is a remarkably talented writer who for some reason Just Can't Names.
(And I find this hilarious.)
Maybe if the fandom pools its resources we can buy him a baby names dictionary. *g*
(no subject)
From:no subject
Date: 2019-12-26 10:50 am (UTC)Hopefully this doesn't qualify as spoilery, apologies if it does: FWIW, I think the lore gets much easier to follow again once you start to get glimpses of the big picture and can start to see how things fit into it.
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Date: 2019-12-26 08:19 pm (UTC)I have an answer to this one! The answer is that he didn't, Hopworth's first name is Jared, it's just that their names are pronounced EXACTLY THE SAME. /o\
Also, 100% agree on The New Door. I love uncanny architecture anyway, but the ending is absolutely what makes it. One of the things about the people making statements is that generally they've had to survive long enough to make the statements, and so there's this sense of oh, well, at least they lived. But with Helen, we get that rug pulled right out from under us, IN REAL TIME. It's probably my favorite episode for sheer creep factor, alongside Lost John's Cave from the first season.
(no subject)
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Date: 2019-12-27 02:07 pm (UTC)You are really drawing me in with the Magnus Archives! I'm not sure about horror but I'm very tempted... After all the last audio drama I listened to on your rec was Cabin Pressure and that was AMAZING *g* I've been watching a lot of subtitled TV recently, which is good in and of itself but means you can never look away and e.g. do some knitting, and some audio drama would be perfect for that.
I've ordered myself some Cadfael dvds btw.
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Date: 2019-12-27 09:04 pm (UTC)I also like how the place itself seems to affect the people who work there. They might even be compelled to work there until they die?
It's the Leitner books and the involvement of Mary Key and her son (who I thought was named Michael at first) that still interest me the most. I thought the episode with her reporting and Getrude Robinson recording was really good and sets up a lot of interesting things.
I have noticed that there are some horror themes that get used quite a lot and some things that aren't there at all. For instance I don't remember there having been a story where it's a lover or close relative as the source of the horror. It's usually outside sources and it happens a lot to people who aren't close to the person reporting. Many of these reports are people seeing someone else experience something horrible. Some of it draws a bit too much from the same well for me. There have been a lot of stories about losing your way in a building or other structure, a lot about falling and darkness.
I'm also quite glad that there isn't outright torture or rape. I probably wouldn't listen otherwise.
Is White Christmas a movie that gets shown a lot on TV during the holidays in the US? I follow a fashion blog and they also do a post on that movie evey years (simply posting the same blog post from 10 years ago). I've never seen it.