kindkit: A late-Victorian futuristic zeppelin. (Default)
[personal profile] kindkit
Back to music again this week, with Paul Simon's eponymous 1972 album.

Simon's Graceland is one of my favorite albums of all time, and I know and enjoy most of Paul Simon's hits, but he's never been an artist I seek out.

Paul Simon was maybe not the place for me to start, though it seems it's widely considered a classic. To me, it felt like an album of B-sides and experiments. A few songs hold together: "Peace Like a River," "Congratulations," and of course " Me and Julio Down by the Schoolyard," but otherwise it's all over the place and mostly feels unfinished. There's a lot of trying on of styles and personas (including entirely too much of Simon trying to sound like a Black blues singer, which was probably already weird in 1972 and has not aged well) and not much of the wry observational wit I associate with Simon.

On Spotify, the album contains a few bonus actual demo versions of its tracks. I only listened to the demo of "Me and Julio," but it was eye-opening. That demo version feels of a piece with the rest of the album, instead of being the absolute standout track. So I'll say: listening to Paul Simon is like reading a fic that isn't bad, but could have been great if it had been revised a couple more times.

Date: 2023-03-02 04:04 am (UTC)
lilacsigil: 12 Apostles rocks, text "Rock On" (12 Apostles)
From: [personal profile] lilacsigil
I also went through this journey - Graceland is one of my all time favourites and I listened to it obsessively for about two years in my early teens. And my parents were Simon & Garfunkel fans, so I'd heard a fair bit of that, but when I tried his other stuff? Some of it I like a lot...but a lot of it is really scrappy. I wonder if he was trying to get away from the Simon & Garfunkel sound, which was very polished by that stage, and just threw everything at the wall for a while?

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kindkit: A late-Victorian futuristic zeppelin. (Default)
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