kindkit: Sailing ship at sea. (Fandomless: Blue ship)
I'm frustrated with LJ being down, and I've been reluctant to post on DW when I can't necessarily crosspost to LJ. But, you know, screw that.

Mind you, I don't have much to say right now. So help me out? Share something: a thought, an opinion, a link, a rec for something you love (doesn't have to be fannish), a picture, whatever.

Here a fannish thought from me: it puzzles me a bit that the XMFC fandom seems so split between "political" fics and shippy fics. Properly written Charles/Erik is going to be so fucking political it hurts. Same for most of the other likely pairings I can think of, too, including Charles/Moira, Erik/Raven, Havok/Darwin, Raven/Hank, etc.

And a rec: China Miéville's blog (RSS on DW here). He started out just posting pictures, and he still does post some awesome ones, but increasingly he also posts political commentary and odd, dreamlike narrative fragments.
kindkit: A late-Victorian futuristic zeppelin. (Time machine)
I'm temporarily suspending my rule about focusing on happy stuff to link you to this post by Ta-Nehisi Coates about a ca. 1865 photograph of freed slaves from New Orleans. The photograph was taken and distributed to raise money for the education of former slaves, and it was accompanied by a letter giving information about the lives of all the people depicted in it.

It's a powerful image, encapsulating the brutality of slavery (Wilson Chinn was branded on the forehead with the initials of the sugar planter who bought him; Mary Johnson suffered 50 lashes for being half an hour late with the morning coffee) and illustrating, with extraordinary vividness, the one-drop rule in action. Any child of a slave mother was a slave; any person with "one drop" of "Negro blood" was considered black. Because of the systematic sexual abuse of enslaved women by white men, a lot of black slaves looked indistinguishable from the white slave-owners who were, in many cases, their close blood relatives. This sentence from the letter accompanying the photograph says it all, really: "[Augusta Boujey's] mother, who is almost white, was owned by her half-brother, named Solamon, who still retains two of her children."

Just to be clear, I don't mean that slavery is somehow worse if the enslaved people happen to look white. My point is about the sickness of slavery culture that enabled people to, apparently without a pang of conscience, own their children and their half-siblings as slaves; it's also about the arbitrariness of racial definitions.

The post is one of a series by Coates, a senior editor at The Atlantic magazine, in "honor" of Virginia's recently-declared Confederate History Month; I'm going to look at the others now.

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kindkit: A late-Victorian futuristic zeppelin. (Default)
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