cool things
Jun. 13th, 2023 11:47 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
kindkit1) Relevant to my interests and perhaps to yours is Kai Ashante Wilson's essay Whither Queer: a Genre At Midlife and a Rec-List. Wilson looks at an issue I've talked about a lot: the historical lack of queer male characters in sff, and the current glut of queer male characters . . . written by and largely for women.
I had moments of intense recognition reading this piece (Judith Tarr! making note of books with queer men and hoping to stumble into them in used book stores!), and also moments of disconnect, because I've been involved in fic fandom for 20 years and Wilson has not; he is intensely skeptical of the influence of fanfic on contemporary sff. I hate it when people use "fanfic" to mean "writing I don't like," and Wilson does a certain amount of that here. He never entirely specifies what these fanficcy tendencies in sff are, either.
And yet, I can't say I entirely think he's wrong. When I read contemporary sff by younger authors (not just the queer male stuff, either), it does feel fanficcy to me, in ways I too find hard to pin down but often don't love. I read the first few paragraphs of Gideon the Ninth in a sample somewhere and bounced hard off that fanfic voice. (One of the few specific things Wilson mentions is ironic banter.) A lot of m/m relationships in contemporary sff are written using fanfic tropes and a kind of fundamental narrative structure or assumption that, again, I can't pin down, but it feels like slash fic to me. *shrugs*
I think part of what gets my hackles up, when people use "it's like fanfic" as criticism, is that I immediately think of the kinds of fanfic I enjoy. I forget that there's a ton of fanfic I don't enjoy but that is hugely popular, and that, I fear, is what's influencing professionally published sff these days. Anyway, I'd love to hear what other folks think of Wilson's piece.
As for his recs list, there's not much on it that I didn't know about, but I'm pleased to see Melissa Scott there (twice!)--Wilson's criticism of "the female gaze" in queer-male-focused sff does not boil down to "doesn't like women writers"--and also trans male writer Billy Martin (publishing as Poppy Z. Brite). Wilson's discussions of all the books are illuminating--I may have to give Water Horse another try--even if you don't agree with his general approach.
2) Samba Schutte, the actor who plays Roach in Our Flag Means Death, has designed an awesome t-shirt to raise money for True Colors United, an organization that fights homelessness among LGBTQ youth. OFMD-inspired without quite being referential (or copyright-infringing; I doubt David Jenkins would object but HBO/Max is evil). Beware the checkout process, though--it steers you hard to sign up for Shop Pay, a Shopify-based instant payment thing. You can avoid it by checking out as a guest, but I got confused and managed to sign myself up accidentally. Must remember to de-activate it once my order has processed.
I had moments of intense recognition reading this piece (Judith Tarr! making note of books with queer men and hoping to stumble into them in used book stores!), and also moments of disconnect, because I've been involved in fic fandom for 20 years and Wilson has not; he is intensely skeptical of the influence of fanfic on contemporary sff. I hate it when people use "fanfic" to mean "writing I don't like," and Wilson does a certain amount of that here. He never entirely specifies what these fanficcy tendencies in sff are, either.
And yet, I can't say I entirely think he's wrong. When I read contemporary sff by younger authors (not just the queer male stuff, either), it does feel fanficcy to me, in ways I too find hard to pin down but often don't love. I read the first few paragraphs of Gideon the Ninth in a sample somewhere and bounced hard off that fanfic voice. (One of the few specific things Wilson mentions is ironic banter.) A lot of m/m relationships in contemporary sff are written using fanfic tropes and a kind of fundamental narrative structure or assumption that, again, I can't pin down, but it feels like slash fic to me. *shrugs*
I think part of what gets my hackles up, when people use "it's like fanfic" as criticism, is that I immediately think of the kinds of fanfic I enjoy. I forget that there's a ton of fanfic I don't enjoy but that is hugely popular, and that, I fear, is what's influencing professionally published sff these days. Anyway, I'd love to hear what other folks think of Wilson's piece.
As for his recs list, there's not much on it that I didn't know about, but I'm pleased to see Melissa Scott there (twice!)--Wilson's criticism of "the female gaze" in queer-male-focused sff does not boil down to "doesn't like women writers"--and also trans male writer Billy Martin (publishing as Poppy Z. Brite). Wilson's discussions of all the books are illuminating--I may have to give Water Horse another try--even if you don't agree with his general approach.
2) Samba Schutte, the actor who plays Roach in Our Flag Means Death, has designed an awesome t-shirt to raise money for True Colors United, an organization that fights homelessness among LGBTQ youth. OFMD-inspired without quite being referential (or copyright-infringing; I doubt David Jenkins would object but HBO/Max is evil). Beware the checkout process, though--it steers you hard to sign up for Shop Pay, a Shopify-based instant payment thing. You can avoid it by checking out as a guest, but I got confused and managed to sign myself up accidentally. Must remember to de-activate it once my order has processed.
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Date: 2023-06-14 11:10 pm (UTC)Can't imagine why.
(For what it's worth, I didn't find A Taste of Honey very sad—I liked the twist of its thought experiment, which reverses how its two narratives have seemed to interlock—but my parameters may not be yours.)
I read "The Devil in America." It made me think of the music of Zeal & Ardor.