a nupdate

May. 1st, 2025 07:22 pm
kindkit: Stede Bonnet from Our Flag Means Death hauling a rowboat into the sea (OFMD: Stede and a rowboat)
I got my MRI results back, and as far as I can tell from googling all the medical terms (and the fact that I haven't gotten a call from my healthcare provider saying to come in immediately) I don't have cancer. I'm relieved, obviously, or at least as relieved as I can be when nobody has actually said, "Hey, you're fine." It's not fine, but it's not life-threatening or urgent.

More on the not-fine-ness under the cut. Includes reproductive anatomy, but nothing TMI, I think. Click here for more. )

So, in non-medical good news, the city moved my bus stop back to where it used to be, hooray! I was expecting the construction to go on all summer at least. It saves me close to ten minutes' walking each way, which doesn't sound like much, but which a lot of days was definitely TOO MUCH. (Partly because the route to the original bus stop mostly skirts the riverside park, which is pretty pleasant and only requires crossing a couple of streets. The route to the replacement stop ran along one of the town's main roads, with many street crossings and many drivers who neither look nor slow down before they turn. I almost got hit multiple times in just a couple of months.)

Between these two developments, I no longer feel quite so much like the last straw is incoming.


I've been reading a bit. Seeing the trailer for the Murderbot TV show made me decide to try the books again--previously I read the first two and lost interest. I still think the first book is by far the strongest, while the later ones get repetitive and wish-fulfillment-y. But I enjoyed them well enough and I'm looking forward to watching the show.

Most recently I read Freya Marske's romantasy Sword Crossed, and liked everything about it, in a popcorn sort of way, except the central romance, which irritated me intensely. But the worldbuilding is fun, and I like that it's a fantasy focused on trade and economics rather than swords and dragons.


New series of Taskmaster begins soon! Normally I would hate the idea of an American guest, but Jason Mantzoukas is so weird that I think he'll be great.


And finally: if you had asked me ten years ago who would turn out to be a better LGBTQ ally, J K Rowling or Robert de Niro, I would certainly have guessed wrong.


ETA: And my hearing seems to have recovered from the MRI. It took a couple of days, though.
kindkit: A late-Victorian futuristic zeppelin. (Airship)
Back again after yet another longish disappearance (sorry). It's been a tougher adjustment since my car got stolen than I was really anticipating, and I feel like I'm only starting to emerge from a fog of tiredness and deep but indistinct distress.

More details under the cut )

I have done other things besides mope! Sort of. I've been reading! For instance, I've read Barbara Hambly's Sun Wolf and Starhawk fantasy trilogy, about which I have complexly mixed feelings that I won't go into here on this already-long post. And last night & today I read K J Charles's latest, Death in the Spires. It's a bit of a departure for Charles in that it's almost not a romance. (There is a love story, but it's not really central; one interesting detail is that this book has no explicit sex scenes whatsoever.) Formally it's a mystery, but really the mystery elements are pretty perfunctory. What it actually is, or wants to be, is a crime novel exploring a group of friends and how that friendship fails in various ways both before and after the crime. Charles tips her hat textually to Sherlock Holmes, but the influences I felt at work were different: Barbara Vine, Tana French, perhaps Donna Tartt. To be clear, Charles's reach exceeds her grasp here--the novel needed to be longer and to explore the characters more, particularly by giving our protagonist clearer and more consistent motivations. But my sense of Charles's most recent, oh, 6-8 books is that she's been straining at the limits of genre romance for quite a while now, and I'm happy to see her try for something beyond them. I'm curious about where she goes next. I'd actually love to see more of these characters, but I don't see how Charles could get another book out of them without abandoning even the pretext of male/male romance. I guess we shall see.

And I'm watching Taskmaster S17. Not loving the cast so far, but sometimes it takes me a while to warm up to them. And S16 is going to be a hard act to follow.
kindkit: Two cups of green tea. (Fandomless: Green tea)
This Thanksgiving, I have mostly eaten Chinese food (I got takeout last night--2 main courses and some wontons--had some for dinner last night and some today, and there's still another meal's worth left). For breakfast, however, I had a truly heroic quantity of St. Angel triple cream brie, eaten with pecan raisin bread. It was yum.

I also watched the S16 final of Taskmaster.
Some spoilery things, warning for one of them being a bit yuckyI'm intrigued by the definition of "family friendly" that includes "Julian makes Alex kneel to him while he, Julian, eats a doughnut, then spits doughnut in his face." (Which still wasn't as gross as what Susan or Lucy did, just kinkier.)

[pedant]Also, no vanilla ice cream is using castoreum as a vanilla substitute. Castoreum is hard to obtain! And consequently rare and expensive! It's not even used much in perfumery anymore, as far as I know.

And also, Greg, "enormity" does not mean what you think it means.[/pedant]

Hotel Taskmaster was brilliant.

Greg called Alex "cutie." I am easily made happy.



I do have to work tomorrow, but it should be very very quiet and allow me to catch up on stuff.


Anyway, I hope those of you who celebrated Thanksgiving had a lovely day. Also those of you who didn't!
kindkit: A late-Victorian futuristic zeppelin. (Default)
More Taskmaster stuff, sorry. (Due to my back I'm home in bed even more than usual, and trying to distract myself from pain with bingeing.)

An observation on S10-S12 and early S13,
under the cut thing mostly for those who are tired of hearing about it.

It occurred to me during S12 that when the show introduced social distancing in S10, the way Greg behaves towards Alex got much nastier and more hostile. Of course there was always an element of that, but balanced by flirting and especially by touch. Once touch wasn't possible, no more balance. Sometimes Greg's cruelty to Alex was so pronounced that I found it upsetting, even knowing Alex probably wrote the lines.

Then with S13, social distancing ends. Practically the first thing Greg does is caress Alex, and they're flirting all the time. Greg calls Alex little pet names and is seldom mean.

Almost certainly, negative viewer reactions to the harsh tone played a big role in the change. But the timing is interesting; there's a whole mini-history of emotional responses to social distancing in there.


If you were wondering: yes, I'm still super excited for S2 of Our Flag Means Death. But I'm also nervous--open fiction canons always give me fear that the story's going to go badly wrong. So Taskmaster is a good place for my fannish brain to be.

oof

Sep. 27th, 2023 09:09 am
kindkit: A late-Victorian futuristic zeppelin. (Airship)
I'm partway through Taskmaster S12 now, and
under a cut, to spare the uninterested and unspoiled insofar as this kind of thing can be spoiled, is a reaction I know it's a bit. But Alex saying to Greg "I love you. I want you to look at me the way I look at you," and Greg's utter indifference in response was painful to watch.

What makes these moments so compelling is that they're always played sincerely (even the ones that are much more bizarre than a declaration of love); it makes the funny ones really funny and the ones like this . . . ouch, ouch, ouch.

Then of course everything resets soon afterwards (though, unusually, Alex put in a callback to it with his little "I love you" during the final task) and is completely forgotten/"forgotten" by the next episode. This aspect of the show is mercifully like an old-school sitcom; an ongoing arc of that kind of thing might be too much for me. Even though I then invent the arc in my head.

Also, there's an excellent cast this series. Guz Khan is very funny, frequently endearing, and it makes me wish I had never seen his Twitter which, with its homophobia, sexism, and stanning for a repressive regime*, made it impossible for me to like him or wholeheartedly enjoy his work.

(*Qatar during the World Cup. The homophobia was at least as bad as you're imagining, and possible worse.)
kindkit: A late-Victorian futuristic zeppelin. (Airship)
Within about 12 of hours of my telling myself, "I would love to read some Taskmaster fic once I'm caught up on the show, and maybe I'll request it for Yuletide, but I don't think I'll ever write any," I of course got a story idea.

The initial idea proved unworkable, but now I have a different idea that I'm liking a lot.

Thinking a bit about RPF and major real-world events in fic; under the spoiler cut thing.I haven't written any RPF in a while, and now I'm thinking again about method. My current preference is to treat the show essentially as fiction: what's on screen is canon, while off-screen information such as interviews is not (though it can be incorporated if useful). It's a little bit tricky because I'm really really interested in the boundaries and bleed-through between stage personas and real life. But a lot of that is in the text already: onscreen we have Greg's adoring personal assistant Little Alex Horne, and sometimes something closer to what is presumably the actual Alex Horne who has a wife and kids and who is pretty much in charge of the show, plus a whole lot of gradations between them.

Maybe it's partly laziness: I don't want to do a research deep dive into Alex and Greg. Partly it's ostrich-ness: I don't want to find out that either of them is actually terrible (e.g. a homophobe, a TERF, a Tory). Partly it's my own preferences as a writer: I like having enough canon to inspire and not enough to constrain.

I used to be much more of a research fiend. Maybe I've been influenced by Our Flag Means Death to use what's interesting and leave the rest.

Another thing I've been musing on is how we include real life tragedies in fic. I just watched S10, the first season filmed during the COVID pandemic, and the story I want to write is, in part, about COVID. Specifically about COVID-related changes to how the show is made, and the effects COVID precautions have had on all our lives. It's not going to be about anybody getting sick. (And I did a cursory google to see if either Alex or Greg had family who died of COVID, and it seems they didn't. I would have shelved the idea if they had.)

On the one hand: using a mass death event as background to a story about other things, oh dear. On the other hand: COVID happened to all of us. A COVID fic isn't a disaster-tourism fic. COVID is, within certain boundaries, my story to tell as much as anyone else's. And I'm finding that I want to write about COVID. I want to begin reckoning with it. It's not over; its effects are ongoing, not just what looks like a new surge but the constant emergence of new long-COVID and post-COVID medical problems. But it's been three and a half years, and for better or worse, we have moved out of "beat the pandemic" mode and into "the pandemic is part of our lives forever." Many of us aren't the same people we were before, even if we were lucky enough to neither lose someone nor get seriously sick ourselves. We've had to consider togetherness and isolation, social ties and what they mean and what makes them real, in a way many of us never have before.

Thoughts welcome on any of this as I continue to ponder.



A quick final note: I finally realized what it is about Little Alex Horne that feels so familiar and appealing to me. The light dawned when Greg Davies made a joke about Alex's love for admin: LAH-Alex is Drumknott.* Or at least of the Drumknott type, with enough differences to keep it interesting.

(*Rufus Drumknott is secretary to the benevolent-ish tyrant Lord Vetinari in Terry Pratchett's Discworld novels. I wrote both a Drumknott/Vetinari ship manifesto and a longish fic about them. Admin is Drumknott's superpower; the climax of one novel involves him conducting an audit of a villain's business. I love him.)
kindkit: Horatio (Nicholas Farrell) reads Hamlet's letter, text: Hamlet faxed me a soliloquy! (Hamlet: Horatio gets a fax)
1) Health.

My back continues to be more of an issue than I'd like. My healing seems to have plateaued; I'm seldom in a lot of pain, and I can function, but I'm seldom completely pain-free either. Plus I get fun little incidents like the other night, when I felt pretty okay when I went to bed, but woke up at 2 in the morning in more pain than I've had in a while. (Yes, my bed is probably a factor. But I really don't want to spend a couple of thousand dollars on a new one.)

Another delightful plot twist follows,
under the cut because potentially TMI.

Around the beginning of this month I started having UTI symptoms. Very mild at first, and I thought it might resolve on its own. It did not. This left me trying to get medical care during Labor Day weekend (a big holiday in the US). I went to urgent care on Sunday Sept. 3, after work, but the clinic I went to was too busy and I couldn't get in. (I didn't want to try another clinic because this is the urgent care I usually go to, and I didn't have the energy to try a totally unknown one.) On Monday (Labor Day), I thought about going back, but a bit of googling showed that most of my local pharmacies were closed anyway or on such reduced hours that by the time I finished work and went to the clinic it would be too late to get my prescriptions that day.

This whole process confirmed the wisdom of my pill-hoarding tendencies. I had some phenazopyridine left from my last UTI. It doesn't treat the infection, but it reduces the symptoms while you wait to get antibiotics/wait for them to kick in. It was all that made things tolerable.

Anyway, I finally got to the clinic on Tuesday Sept. 5 and got a 10-day megacourse of antibiotics which I'm still taking through tomorrow. And--this is how it's relevant to my back--the nurse agreed that the prednisone I had to take for my back probably contributed to the UTI: prednisone is an anti-inflammatory because it's an immune suppressant.

And here's a fun fact: after googling, I discovered that in people with a vulva, having low estrogen levels (if, say, you're post-menopausal, or a trans masculine person taking testosterone) makes UTIs vastly more likely. Did anyone ever explain this to me? Fuck no.

Another thing I only learned from google: don't buy lube made with glycerin. It's sugar-like enough to feed bad bacteria a lovely meal.

*sigh* I don't like bringing up genital/sexual stuff with medical people. It's uncomfortable, especially now that I'm out as trans. I wish they would bring it up and give me useful health information--in a nice, matter-of-fact professional way, not in the way like my previous pcp who was a little too curious about my sexuality. My current provider is pretty good, but a bit silent on the subject; I wonder if it's too personal for her because her son is a trans man (she mentioned this to me, with his permission).

Anyway, enough of this. Here's hoping I don't get a third UTI this year; that's the point where it's officially considered chronic.



2. After temporarily losing interest in it, I've been watching a lot more Taskmaster. In fact the word "bingeing" might be appropriate. I'm most of the way through S07 now, and feeling twinges of obsession. I blame, at least in part, Greg Davies' decision in the hiatus before S06 to get glasses and grow a beard, and therefore become hot to me as he has never been before. Alex has always been hot to me; skinnyish, socially awkward, clever boys push my buttons, as does the whole stage-gay "Alex is slavishly, erotically devoted to Greg" thing. And beards.

I'm again noticing how much of the show's general enjoyability depends on the vibe of the contestants. The S06 people were mostly uninteresting, except for Liza who was both competent and likeable, and Tim Vine, whose every moment on camera was like fingernails on a chalkboard. Then S07 brought in absolute loons like Rhod Gilert and James Acaster, and varied interpersonal dynamics played up to the hilt by the whole batch of drama queens, and it's much more fun to watch. (Apart from having to look away to spare my eyes from Phil Wang's skin-tight yellow bodysuit.)

Mostly the show does not ping my embarrassment squick, thank heavens. (Mostly. I could live without any more impromptu songs, though I would hate to have missed the sheer delight of that moment in S06 when Nish Kumar and Mark Watson's song was actually really good.) I do have to remind myself often that Alex Horne created the show and writes at least some of it, so nothing is happening to him that he hasn't okayed. He consented to sit bare-bottomed on that cake/be cuddled by every contestant/have Rhod Gilbert turn him into a water feature.

And then there's the Greg/Alex stuff.
Under a cut, for sort-of spoilers I guess, as well as being long and containing musing on stage gay, power differentials, etc.

I didn't expect them to actually kiss. Even about a second before they did, I thought it would be a fake-out and Greg would pull away or something. But no, they kissed rather sweetly, to the loud approval of the audience and most of the contestants. (I wish the camera would quit cutting away from the most highly charged Greg/Alex moments to show dubious reactions from the cishet male contestants, though.) The explicit eroticism has mostly been toned down since the kiss, which I guess makes sense since there's not much further they can go with that unless the boys are going to make out on stage, which presumably is further than they and the bloke-centric Dave network want to take it. Though in S07 Alex did make that rather startling reference to Greg's "special spot" and the letter G, fuelling all kinds of potential speculation.

. . . I just really enjoy stage gay. Especially when it's played, er, straight, from the whole chest. (For a while I thought Greg was gay, based on a couple of things he said on the show. But Wikipedia tells me he had a long-term relationship with a woman. So I've decided he's bi until proven otherwise. Alex is married to a woman and has kids. I've decided he's bi too.) To repeat, I know it's stage gay, but I enjoy the game/performance of queer desire (when it's an acknowledged game and not e.g. queerbaiting in fictional media) without the disavowing wink and nod. I like that both Greg and Alex just go with it--the erotic implications are played for comedy, but the joke is not "OMG that's gay!" Usually it's more like "OMG that's fucked up, Greg, stop that and be nice to Alex." I enjoy the very rare moments when Greg genuinely is nice--the bits of background business when the focus is on the contestants and Greg and Alex start holding hands.

And of course I enjoy the whole glorious spectrum of ways Greg finds to bully Alex. It's sometimes a bit of a fine line for me, because humiliation is deeply not my kink, but it's so clearly stage-Alex's that I can enjoy his delighted misery. No usual form of BDSM is really my kink, but I love a power differential and I love devotion. So the idea of Alex worshipping Greg Davies--moderately successful comedian and host of a light entertainment show--like a god on earth, making his bed and sleeping at his feet and surrendering to his every sexual demand, unfazed by any amount of ingratitude, exploitation, and downright cruelty from Greg, kind of does it for me. But I must admit that, as usual with me and power differentials, what I would want from a fic is to see the relationship become more equal. (The big exception to this trend for me is Izzy Hands from Our Flag Means Death; Izzy is such a shithead and a fuckup that to the extent I can imagine a happy ending for him, it looks more like a pornographic fever dream version of Greg/Alex than like Ed/Stede. Izzy should never be allowed to make meaningful decisions about his own life or anyone else's, ever again. Alex, by contrast, should be cherished.)

Once I'm caught up--because I'm so thoroughly spoiler-averse that I don't want to know whether they kiss onstage again, or even whether X contestant does a great/hilarious thing in S11--I intend to read all the fanfic. And probably be disappointed by it. Recs are welcome if you have any; just please let me know where they fall season-wise so I can wait if necessary to avoid spoilers.



3. Yuletide

I think I'm going to participate this year, for the first time since about 2013. I've done two fic exchanges this year, so I feel reasonably confident in my ability to write something and not default.

Our Flag Means Death is of course ineligible. But Taskmater is eligible and I can think of stories I might request. For other fandom requests, I'm thinking about Ursula LeGuin's The Left Hand of Darkness (most of the existing fic is Estraven/Genly Ai, for obvious reasons, but the world itself is fascinating and Le Guin leaves a lot of omissions to explore. (E.g. same-sex sex during kemmer, or some people having a preference for whether they go through kemmer as male or female--are there Gethenians with a stealth gender identity?, or for that matter whether Gethenian societies can possibly be as devoid of popular culture as Le Guin makes them out to be. It can't all be work and sex and religion and politics--I want to know what Gethenians do for fun.) Maybe Moby Dick too. And I'm considering some five-minutes fandoms to fill in the gaps. There are a zillion Mountain Goats songs that could make great fic.
kindkit: Haddock and Tintin kissing; Haddock is in leather gear (Tintin: gay icon)
I've been in a bit of a reading lull since finishing Simon Jimenez's The Vanished Birds. I have his latest novel The Spear Cuts Through Water and I'm looking forward to reading it, but . . . not right now.

Yesterday I bought Katie Daysh's Leeward and have just barely started it. It's an age-of-sail m/m romance, with both men being British Navy officers, so I could hardly not buy it once I knew it existed. The author has clearly done her research, or at least attentively read the Hornblower and Aubrey & Maturin novels, which is good. And yet . . . I don't think I'm going to love it.

Some possibly spoilery stuff under the cut, much of which is hearsay based on a review I read; mostly we learn that I am not the ideal audience for genre romanceThe very first scene happens at the Battle of the Nile; we get the explosion of L'Orient, near enough to our hero Captain Hiram Nightingale's ship to kill his lover (? . . . clearly something was between them, but as of right now its exact nature is unstated) and give Nightingale A Trauma. It is a truth universally acknowledged that every protagonist of a male/male romance novel must have A Trauma. I am very tired of it.

The Trauma is the first annoying thing. Second is that goddamn name, which just feels off for an English gentleman in this time period. (I could be wrong and will accept correction. Nevertheless, I would believe Hiram Nightingale as a Union officer in the American civil war more readily.)

Third is something I only know from the review. Nightingale is married to a woman, but Daysh takes pains to assure the reader that this is a mariage blanc and that Nightingale's wife has no interest in a sexual or romantic relationship with him.

Fourth, again from the review: Nightingale's eventual new love interest is his first lieutenant. Apparently Daysh manages to arrange events so that it's absolutely 100% clear to the reader that the power imbalance doesn't mean there are any ethical issues around consent, or practical issues around naval discipline. How she does this, I don't yet know.

Points 3 and 4 annoy me because I am every bit as tired of mandatorily morally pure queer romances as I am of the hero's defining, sympathy-inducing, dickishness-exempting trauma. I recognize that romance is meant to be a fun genre, and people don't necessarily want moral ambiguity or discomfort. But . . . I do. Especially in a historical romance, I don't want to gloss over the reality that many, many queer men and women acceded to the (Western) cultural expectation that they would marry and have children. In a lot of cases, they saw absolutely nothing wrong with that expectation, and no particular conflict between getting married and fulfilling their own desires on the side. (Obviously this was easier for men than for women.) Also, even now, some gay and lesbian folks get heterosexually married for a variety of reasons--from "my religion demands it" to "trying to be ex-gay" to "thinking about that political career" to "didn't really know they were queer"--and end up either having affairs or getting divorced, or both. And they hurt, and their partners hurt, and it sucks, but it doesn't make them irredeemably immoral people who are unworthy to be part of a love story.

Homophobia makes queer lives messy sometimes. Also, queer people are people, and people are messy sometimes. I would like us to be allowed to be messy in our* stories. (*"Our" is a bit complicated here. I don't know if the author is queer, but she's not a man, so it's not ownvoices. A term I hate but we need, I think.) Messy queer characters should get to have happy endings, too.

As for point 4: we're in a cultural place right now where a lot of folks are hyper-aware of every potential sexual abuse of power. Mostly I think this is a good thing! (Though I could do without the nonsense of "a 30 year old dating a 23 year old is abuse!!" and similar.) And I think there are ways of avoiding abuse-of-power situations in historical stories without giving the characters anachronistically modern concerns. But a writer making her hero's love interest his direct military subordinate, and then saying "but it's okay because of x, y, and z" is trying to have the tasty, tasty power-imbalance cake and eat it too. Maybe Daysh handles it well; I don't know yet. But I am skeptical in advance. (Full, and perhaps unnecessary if you remember the kind of fic I've written, disclosure: I like power-imbalance relationships. I've written 57 varieties of master/servant and teacher-ish/student-ish fic. I'm interested in how people navigate around that, how they create balance in the relationship despite it, or don't, and in what ways that matters. I'm not really interested in making the power difference vanish in a puff of exceptional circumstances.)



Yeah, that was a lot of complaining about a book I've barely started. I'm still going to try to approach it with an open mind, and I'll report back what I think once I've finished it.


On other cultural fronts, I've similarly been in full Bartleby "I would prefer not to" mode. The 50 New Things in 2023 project has stalled because it was starting to feel like a chore, and I don't want to add more chores to my life. I haven't been writing, though I am probably going to sign up for a Rare Pair exchange ([personal profile] delphi, this is your fault) and perhaps get an unrelated bingo card as well, so that may change.

What I have done is start watching Taskmaster, because Thingswithwings kept talking about it on Twitter. This is a British comedy show where a group of comedians compete to see who can accomplish ridiculous tasks the best (the definition of "best" is often fastest, but may include with the most panache, the most effective rules-lawyering, the most stylish cheating, and the most pleasing flattery of Greg Davies, the host and sole judge whose word is law).

The same group of comedians sticks around for the entire 5-6 episode season, so much depends on the chemistry of the group. I loved S1, but I'm now on S2 and not liking anyone very much. Also, the show is leaning hard into the kinky dom/sub energy of the premise; I had thought from the tweets that it was accidental, but it's clearly scripted and thus not as much fun. Still, for the moment I plan to keep watching. My brain continues not to want TV or film fiction apart from Our Flag Means Death (speaking of messy queer characters, and also, new season when?), but I can handle this deeply silly, pointless romp.


And finally, with Pride month upon us in the US, I have acquired this shirt in purple, bringing my total of queer t-shirts to 2. The other is this one, whose message is, I realize, contradicted by the new shirt. But I would absolutely have bought the new shirt in black if it had been available in black. I guess they're taking that "visibility" thing literally. By the way, purchase of any of the Point of Pride shirts at the first link benefits their work providing gender-affirming clothing and other help; the shirt at the second link was designed by a trans person and benefits him, but only if you buy from Teepublic; at any other site it's a copycat.

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kindkit: A late-Victorian futuristic zeppelin. (Default)
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